My intial thoughts about using sound on film, they are used for scores along the film to suit the atmosheric story, and they class the sutiability for the match of on-screen footage.
They also provide back-story to moments which may seem quiet or just completely blind to visual moments.
Dialogue, actions, music, etc...
They are indeed half of the story themselves, interacting with motion is a small segment of it's initial briefing.
20 minutes after analysing sound from an OTS of Sin City, I have determined the greatness of sound and it's amplified quality of film making.
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